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【平裝版藍光】韓德爾 : 阿琪娜 歌劇 (2016) << 返 回
Handel : Alcina
產品編號:BC-31271

  所屬分類: 歌劇、舞台劇
  語      言: 義語
  字幕/版本: 繁體中文
  級      別: 1
  演      員: Patricia Petibon     Philippe Jaroussky     
  導      演: 凱蒂米切爾
  片      數: 1片
  光碟類別: 25G藍光
 NT$50元
 
 
影像:1080P

音軌1:ac3,48000HZ,5.1,448 kb/s 義

音軌2:dts-hd ma,48000Hz,5.1,s24 義

字幕:繁中-簡中-英-法-義-德


花腔女高音 PatriciaPetibon 帕特里夏.佩蒂邦

假聲男高音 PhilippeJaroussky 雅洛斯基

導演:凱蒂.米切爾(英國/女)

指揮:馬爾孔樂團:德國弗萊堡巴洛克管弦樂團

演出地點:2015年法國普羅旺斯.艾克斯音樂節

近年來最叫好的《阿琪娜》製作。馬爾孔的指揮讓整劇的音樂自然順暢,行進間毫無壓迫感。導演凱蒂.米切爾的畫面處理豐富,細膩,完善,手法充滿了其所理解的獨特戲劇魅力。


Patricia Petibon (Alcina), Philippe Jaroussky (Ruggiero), Anna Prohaska (Morgana), Katarina Bradic (Bradamante), Anthony Gregory (Oronte), Krzysztof Baczyk (Melisso), Elias M?dler, Lionel Wunsch (Oberto)


Freiburger Barockorchester, MusicAeterna (Chorus of the Perm Opera), Andrea Marcon (musical director) & Katie Mitchell (stage director)


Stage design: Chloe Lamford


Costumes design: Laura Hopkins


Light: James Farncombe


Choreography: Joseph W. Alford


Alcina, one of Handel’s most popular operas, is named after a dangerously seductive sorceress – soprano Patricia Petibon in this production from the 2015 Aix-en-Provence Festival; but perhaps the central figure is the bewitched warrior Ruggiero, performed here by Philippe Jaroussky. The role, which includes the haunting, lilting aria ‘Verdi prati’, was composed for the celebrated countertenor Giovanni Carestini, who provided the focus for Jaroussky’s superb 2007 album of arias by Handel, Hasse, Porpora, Leo and Gluck.


Ruggiero, captive on Alcina’s magic island, will be transformed into an animal or inanimate object once the enchantress tires of him, but fortunately his betrothed Bradamante (a mezzo-soprano) comes to save him, disguised as her brother, Ricciardo. Further complications ensue when Alcina’s sister, Morgana, falls in love with ‘Ricciardo’.


The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. Like Mitchell’s Aix-en-Provence staging of George Benjamin’s hugely successful Written on Skin (first seen in 2012), it offers simultaneous action in multiple zones of the stage, with Alcina’s elegant boudoir taking pride of place. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”


Describing the whole show as “a night of a thousand delights”, Bachtrack wrote that “Philippe Jaroussky cuts a mighty fine dash as the debonair knight Ruggiero … The French countertenor's yearning mezza voce delivery of ‘Verdi prati’ is sublime, possibly the evening's vocal highlight, although there is strong competition from Anna Prohaska's ‘Tornami a vagheggiar’ [Morgana’s spectacular Act 1 closing number] and from Anthony Gregory's [Oronte] physically and vocally energetic ‘? un folle, un vile affetto’. Add some bell-clear, sweetly defined contributions from Katarina Bradi? [Bradamante] and Krzysztof Baczyk [Melisso] as the gallant rescuers and this Alcina is a feast for the ear.” Le Monde reported that “Patricia Petibon throws herself into the title role, body, voice, soul and more, toying with the limits of style,” while the New York Times found that she was “little short of sensational vocally … and excellent at eliciting sympathy through her acting.”


The Financial Times praised the Freiburger Barockorchester for playing with “flair, energy and an easy, open sound ... [Conductor] Andrea Marcon lets the phrases breathe, gives a lush continuo section room to unfold, and knows how to drive the pace forward without sounding forced.” Describing Marcon as “exceptional”, Opera News felt that: “Musically, this was a performance of the highest festival level … the continuo and instrumental solos attained a rarely heard level of ensemble with an orchestra honed to perfection.”


Running time: 182 minutes

Sound Format: Stereo PCM 2.0 / Dolby Digital 5.1

SoundFormat:StereoPCM2.0/DolbyDigital5.1

SunginItalianMenulanguage: English

Subtitles:EN,GE,FR,IT,Chinese(後加)
 
 
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